All the senses are in uproar. In an experimental opera space, dynamic charcoal drawings by Albert Oehlen collide and intertwine with the dense poetic texts of Rainald Goetz. D • I • E is a place of irresistible transformation. Michael Wertmüller dispatches three singers, a rapper and an actor in search of clear form and meaning in words, bodies and sounds that are consistently elusive. A string quartet, a »Hammmond Avantcore« trio, electronics, percussion and garage punk merge into an orchestra celebrating, negating and dissolving these styles as Wertmüller throws open the doors to an ecstatic trance of excess.

In a multiverse with no particular direction, Thomas Stammer transforms thirteen drawings into time. The music moves them tirelessly from one shape to another in the form of holographic sculptures. On stage, they fleetingly encounter living bodies. A journey that never arrives, an art that defies categories and definitions – this is the vision that Wertmüller, Oehlen and Goetz share.

And what is D • I • E about? Is it about a woman? About dying? About grammar? About lines, dots and letters? All answers are correct – and all questions obsolete.

A Ruhrtriennale production.

Our multi projection software for D•I•E created a tight link between the 28 channel audio stream from the orchestra and the realtime particle system projected onto 10 large scale holo-gazes. A perfect interplay of an advanced audio analysis created in Ableton Live and audio-reactive visuals within our show control software created in TouchDesigner.